Tag Archives: sew

Elysia Bow Dress: Part 2

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I was so in love with my first Elysia Bow Dress but it was a little bit on the short side so I decided to go ahead with the expansion pack and make the longer version. Verdict: I love it more than the first. It covers my knees and has extra swish which I am in love with. The hem line in 14.45 meters long! Sure, it took me 13 hours to sew by hand, but listening to my favourite podcast Bang On and Chat 10 Looks 3 definitely helped pass the time.

It was just as an enjoyable sew the second time around and I definitely felt more comfortable with my seams. I loved having the stronger contrasting colours and that made it a little bit easier to sew.

This time I still went with Liberty but chose Mitsi in two contrasting colours from The Strawberry Thief.

The swish of this skirt is undeniable. There is so much fabric in this dress. For fabric 1 I used 6 meters and fabric 2 and 3, 4 meters. So that is a whole lot of Liberty in that skirt. I used a bit more that was recommended as my fabric was 136cm wide (fabric recommended was 140cm wide) and I also bought an extra 50cm of fabric 2 and 3 to make the bias binding. But honestly, I love Liberty, so I’m not complaining.

I’d like to have a go at making this in silk organza with a slip underneath maybe for frocktails. But for now I think my sewing machine needs a little rest from all the Bow dress mayhem. There is a Bow skirt and a Flower Patchwork top that I’m interested in having a go at. Let’s face it the Roberts Wood patterns are AMAZING!. They are on the expensive side of the for PDF’s. Mine came in at $51 when they had a 15% off promo but I think the cost is definitely worth it given the expertise in the drafting and the work put into the instructions. It usually retails for 34 pounds. The only problem is they don’t come in multi sizes, you have to pick the one size and hope for the best. The way the pattern is drafted you couldn’t go multi size anyway.

For now, I think both Bow dresses will be in high rotation in my wardrobe. I think the harness will be a good choice to highlight my curves. A little more Liberty never hurt anyone.

Curtsey

Pips

Pattern: Elysia Bow Dress by Roberts Wood

Fabric: Mitsi tana lawn from the Strawberry Thief

Makeup: By Mecca

Shoes: From Scarlett Jones

Tights: By Wolford

Button Necklace: By Kirsty Sharp

Elysia Bow Dress: Part 1

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I was captivated when I saw the Elysia Bow dress by Robert Woods from Katiemakesadress on Instagram and knew I had to made one up in Liberty. I choose two different shades of blue in Wiltshire and only used two fabrics instead of the recommended three as I had a vision of what I wanted. As it turns out the effect is subtle but I kind of like that. My next version would have more contrast.

Now this dress is not for the faint of heart. The short version has 108 pieces and a 8.5 mt hem whilst the extension has 148 pieces and an amazing 14.45 mt hem all by which I did by hand. I find it very meditative. Pop on a good pod cast (several years of Bang On) and I’m good to go for 10 hours or so.

I chose to sew the 14/16 based on my bust measurements. The pattern gives you the finished measurements for the garment and I went for the size that gave me about 10 cm of positive ease. I did have a bit of a freak out moment when sewing the front bodice and it looked tiny and I thought there was no way it was going to fit me and that all the sewing was going to be a waste of time but I trusted the measurements and I’m glad I did because it came up perfectly. Next I want to try the harness to pull it in a little and give it a bit more shaping.

The dress itself isn’t complex but requires precision cutting and sewing. I won’t say that all my seam lines match up perfectly, there are a few that are a couple of mm out, but it’s hard to obtain perfection when there are so many pattern pieces to line up over four seams. I tried basting the seam but found that just using a pin and sewing over it was just as effective.

For the dress I broke the cutting out of the pattern and the fabric and sewing down over a number of days as there is much work involved and overall it took me 7 days from start to finish.

I was in no rush to make this project so I took my time. Just for interests sake I thought I would keep a track of my time spent on the varying aspects.

Day one: 1 hour cutting out the pattern, 3 hours cutting out the fabric

Day two: 3 hours sewing front bodice and yoke

Day three 5.5 hours sewing back bodice, bias for neck, left sleeve sewn and attached to bodice

Day four: 5.5 hours right sleeve sewn and attached to bodice, sleeve bindings, first skirt tier (about an hour unpicking after sewing one of the pieces upside down!)

Day five: 6 hours tiers 2 and three attached to tier 1, tier 4 stitched together. Lots of unpicking on the 4th tier.

Day six: 2 hours 15 min sewing stitched on bottom tier of hem, attached skirt to bodice, button holes and buttons. 1 hour 15 min to pin hem 3 hours and 15 min to hand stitch hem.

Day 7: 3 hours 45 minutes to finish hand stitching hem.

So overall the sewing time was 22 hours 15 minutes to sew the dress and 8 hours to hem it. Not an insignificant amount of time. It was such an enjoyable sew though! The pattern was beautifully drafted and went together perfectly. It was like putting together a simple jigsaw puzzle that required attention but not so much that you couldn’t listen to a pod cast to keep yourself company. The instructions were really clear and when I had a question about the bias binding Roberts Wood got back to me really quickly.

My only comment is that this dress comes up quite short on this 6 foot tall lass so I need to wear a layer underneath to maintain modesty. I’m really glad they put out the extension pack that lengthens the dress by a decent amount and takes the dress to knee length for me. The volume of the skirt is not insignificant and makes for wonderful twirling of which I am a big fan.

I would say that although you could likely sew it faster than I did, having ME/CFS I pushed myself too hard when sewing this and had to spend several days on the couch resting to gain back my strength before cutting into my next one. I just found myself lost in the moment sewing the rows of patchwork. It was almost addictive seeing the rows come together. Such an enjoyable sew.

So much so that I immediately cut out my second Bow dress again in Liberty using the extension pack and love this one even more. See the next blog post for more details. I’d highly recommend this dress if you are looking for something a little different and that will hold your attention whilst you sew.

Curtsey

Pips

Pattern: Elysia Bow Dress by Roberts Wood

Fabric: Wiltshire tana lawn from the Strawberry Thief

Makeup: By Mecca

Shoes: From Scarlett Jones

Tights: By Wolford

Button Necklace: By Kirsty Sharp

Raggady Ann

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I’ve never really been drawn to gingham or checks but recently I find myself seeking out fabrics that are more geometrical than floral in flavour as I subtly shift my wardrobe style. I’ve seen a number of red checked dresses recently and knew I had to have one. What I didn’t know was how much I needed a pair of pantaloons to wear underneath. I remember getting to wear them once at Sovereign Hill as part of a school set up in the style of the 1800’s and knew that I loved them then. Why then had I not thought to make them again until now?

For the pantaloons I used the Emerson Pants by True Bias. I measured between a 14 at the waist and a 16 at the hips and after some advice from IG I cut a straight 16 and put the elastic in for the 14. I probably could have shortened the elastic a little more but am delighted to discover that without any modifications there is no report of camel toe. The linen came from Potter and Co and the anglaise trim was a gift from my god mother. Overall the pantaloons came together really well and whilst it’s unlikely I’ll wear them with any top that sits above my derrière, they will be great for tunics and dresses.

The dress was inspired by one I saw in England and I had originally cut out the Ellis dress by Merchant and Mills with linen purchased from Potter and Co. I had it in the back of my mind that there were rumours on the internet that the sleeves were a little on the tight arm lunch box lady size but I thought my arms to be not overly sized so I would be ok. I was wrong. So terribly wrong. I got stuck (this seems to be a familiar theme at the moment) with my arms half in, my head through the opening and the bodice stuck just above my bewbs. With a rotator cuff injury and being at home along it was a rough event getting out. I got rather cross and threw the bodice in the bin, found I had just enough fabric left over to cut the Hattie bodice and used a short cap sleeve and bias tape from the French Dart Dress by Maven Patterns and pieced it all together which worked out fine. Had I not been so cross, I would have compared the bodices to see if there was any difference in size (there was not) and taken the original sleeve off and added the cap sleeve to the Ellis bodice. I’ll do this next time when I make it in a black check. I finished off the neckline with some white linen bias tape that ties at the back making it user friendly to get on and off.

So I am really happy with the overall look. Bruce says I look like Raggedy Ann. When we went for a walk he said he hadn’t seen that many people stare at me before. I had many people come up to me and tell me I looked wonderful. Surely they couldn’t all be lying. Maybe a 40ish year old dressed up as a 4 year old is a good thing. One of my closest friends also confirmed the Raggedy Ann theme but in the best possible way.

That’s one of the best things about sewing. Getting to express yourself in ways you may not otherwise be able to. Curtsey.

 

 

 

 

 

 

 

 

 

 

 

Photo’s by Bruce. Location, Geelong Library. Fabric from Potter and Co. Pantaloons Emerson Pants by True Bias. Hattie Dress by Merchant and Mills. Cap sleeves from French Dart Dress by Maven Patterns. Mols shoes by Duck Feet